1.请问哪个平台可以免费在线收看或高速迅雷下载剧情《欧洲的某个地方》？
电影天堂网网友：《欧洲的某个地方》免vip在线观看地址：http://www.myfaxoa.com/voddetail/149939.html
2.《欧洲的某个地方》是什么时候上映/什么时候开播的？
3.《欧洲的某个地方》都有哪些演员？
爱奇艺网友：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
4.剧情《欧洲的某个地方》有多少集？
电影吧网友：现在是全集完结
5.手机版免费在线点播《欧洲的某个地方》有哪些网站？
6.《欧洲的某个地方》每天什么时候播出？
风车动漫网友网友：《欧洲的某个地方》于2024/09/19 23:29:10正式开播，动漫之家每天19点45分抢先播放VIP剧集
7.《欧洲的某个地方》评价怎么样？
豆瓣网友：目前该片在豆瓣的评分中等较好，分数为5.0分，具体评分细节可以查看豆瓣评分
8.《欧洲的某个地方》剧情介绍？
【动漫之家】-电影网大全www.myfaxoa.com第一时间收录《欧洲的某个地方》并提供免费在线观看。欧洲的某个地方上映于1948年(剧情)，是一部其它制片作品，由Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki等领衔主演。影片(剧)类型为剧情片，对白语言为其它。喜欢动漫之家收集的电视剧电影在线免费看的网友们，欢迎分享给身边的朋友，顺祝您观影愉快！
以下为欧洲的某个地方剧情简介：影片讲述Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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